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Harry Gregson-Williams | DM-307

"DM-307 is yet another home run… It offers unique and fresh sounds with maximum flexibility...” — Harry Gregson-Williams
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Steve Jablonsky | DM-307

“Yet another example of Heavyocity standing out from the crowd... Let me tell you this thing is BOLD. ” — Steve Jablonsky (Transformers)
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The Crystal Method | DM-307

“…an infinitely limitless production tool. The sounds and flexibility are amazing!” — The Crystal Method (Platinum Artists)
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Davide Squillace | DM-307

“…every single sound is fat and clean, just the way I like them. The whole thing is ACE!” — Davide Squillace (DJ & Producer)
The wait is finally over, the era of AEON has arrived. Available now!
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Damian Taylor | AEON

“There's a really nice organic essence to AEON... it's a welcome addition to my studio” — Damian Taylor (Bjork, The Killers)
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Jordan Rudess | AEON

“I'm personally blown away by the depth of what this collection offers” — Jordan Rudess (Veteran Keyboardist - Dream Theater)
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John Debney | Damage

“Heavyocity has not only produced a superb library, they have given the composer the creative freedom to make it their own.” — John Debney

What The Pros Say

  • Evolve

    Clinton Shorter

    “Every once in a while a sample library comes along that raises the bar. Evolve has done just that, it’s outstanding, and should be on the must-have list for any composer.”

    "Cole", "Contraband", "District 9", "Normal"
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Ramin Djawadi

    “Heavyocity continues to offer the most innovative and dynamic sounds. Both AEON Rhythmic and AEON Melodic are creative, inspiring, and will provide a unique sound to any music project.”

    "Clash of the Titans", "Fright Night", "Game of Thrones", "Iron Man"
  • Evolve Mutations / Evolve Mutations Bundle

    Kevin Riepl

    “The guys from Heavyocity keep on impressing me. Without fail, Mutations steps it up a notch. A very hard dirty industrial creepy notch! This is a perfect compliment to the already diverse Evolve. Once again, right out of the box, these sounds lit a massive brush fire of ideas in my head, that kept spreading and expanding. An all around a must have!”

    "City of Villains", "Gears of War", "Unreal Tournament 3"
  • DM-307

    The Crystal Method

    “We are already using DM-307 on every new cue we’re scoring on ‘Almost Human’! We know we’re just scratching the surface on what seems to be an infinitely limitless production tool! The sounds and flexibility are amazing!”

    "Almost Human", Platinum Selling Electronic Music Duo
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Mark Isham

    “…both Aeon Rhythmic and Melodic sound fantastic. I’ve come to expect that. But Heavyocity has gone five steps further in their programming. There is a true, real, usable, and to my mind the finest digital emulation of a step sequencer in these libraries! The sound shaping possible in the Aeon interface is better than any Kontakt library we’ve used to date at my studio. Simply put – instantly usable sounds in an infinitely customizable interface, deeply and expertly programmed.”

    "Chicago Hope", "Crash", "Once Upon A Time"
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Steve Jablonsky

    “I knew in about two minutes that Aeon would be welcomed with open arms into my studio. “This thing is awesome!” was the initial reaction. The sounds are really well done, very creative and very useful. And I love the super clean interface. You can easily tweak the sounds and mold them into what you need, without getting lost in a sea of pages and menus. It’s all very accessible and integrates right into the workflow. Thank you team Heavyocity.”

    "Battleship", "Desperate Housewives", "Gangster Squad", "Transformers", "Transformers" (3 films)
  • Evolve Mutations 2 / Evolve Mutations Bundle

    Charles Deenen

    “Just when Evolve had become one of my ‘go to’ musical sound design instruments, Heavyocity piles on the awesomeness with Mutations 2. I love the new designy pads, great new hits, the new interface and the real time trigger FX. 2 thumbs way up and a big grin on my face. Very useful stuff!”

    "The Fast & Furious 1/2"), Audio Director - Electronic Arts (Need for Speed Series), Sound Designer (Feature Film Trailers
  • AEON Collection / AEON Melodic / AEON Rhythmic

    David Newman

    “I love the Aeon Melodic library, and it’s so easy to use and program. When I am writing I just want stuff to “work”. “Advanced Performance Options” allow me to explore very contemporary soundscapes which is great in augmenting live musicians and orchestra. I love how easy it is to use. The sounds seem to fit seamlessly into my orchestrations. Great Work!!”

    "Galaxy Quest", "Ice Age", "Serenity", "The Sandlot"
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Vernon Reid

    “In the crowded world of sample-based Sound Design & film scoring tools Heavyocity’s Aeon series stands apart not only in terms of it vast array of  progressive timbres, tone colors, & moods but in the attention to user controllable aspects that encourage users to make their Aeon Soundscape experience  truly their own. Fantastic!”

    Black Rock Coalition, Virtuoso guitarist - Living Colour
  • Damage

    John Debney

    “DAMAGE does just that. It gives you wonderfully sampled and programmed percussion and lets you do some serious damage with it. Heavyocity has not only produced a superb library, but they have given the composer the creative freedom to make it their own. Nice work guys!”

    "Dream House", "Iron Man 2", "No Strings Attached", "Predators", "The Passion of the Christ"
  • DM-307

    Kaiserdisco

    “The sound of the DM-307 is awesome! You don´t need to add tons of plugins to get it to sound good. The sounds are ready to use in your productions.”

    100% Pure, Drumcode, Owners - KD Music, Terminal M
  • Damage

    Jason Graves

    “DAMAGE is everything a composer wishes for in a virtual instrument – outstanding sounds combined with instant gratification. Heavyocity has an incredibly high bar for quality and you can hear it in every preset. Plus, the ability to tweak and mangle to my heart’s content is invaluable! DAMAGE just became my go-to source for cutting edge rhythmic sounds.”

    "Command and Conquer", "Dead Space", "F.E.A.R."
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Javier Navarrette

    “AEON does to melody and harmony what Evolve and DAMAGE did to percussion, loops and fx. It provides a great repertoire of sounds and sequences for scoring, using a clear and clever interface and the right tools to bring life to your track. The quality is outstanding, the choices are always edgy and perfectly contemporary. I hope it will be followed by more products like this one. The more you will use it the more you will love it…”

    "Inkheart", "Pan's Labyrinth", "The Warrior's Way", Oscar-Nominated Composer
  • Damage

    Brian Tyler

    “DAMAGE is a great musical tool for those looking for ballsy percussive sounds that will add color and vibrance to their tracks.  It has great sounds and an intuitive interface.”

    "Battle: Los Angeles", "Eagle Eye", "Fast Five", "Law Abiding Citizen", "Terra Nova", Nominated for Film Composer of the Year by the International Film Music Critics Association
  • Damage

    Jorge Corante

    “For intense and aggressive percussive elements, DAMAGE is the perfect driving force to my musical compositions. I’m especially fond of the interface’s intuitive yet robust and unlimited programmability. I’ve been a longtime Heavyocity user, and I’m awestruck at their ability to produce new groundbreaking sample libraries that never disappoint.”

    "CSI: Miami", "Ninja Assassin", "Scary Movie 3", Writer/Producer for "The Town"
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Jack Wall

    “Aeon is yet another fine example of the sonic brilliance we’ve come to expect from the guys at Heavyocity. The instantly usable sounds, mixed with the customizable intuitive controls make these sounds a dream to work with.”

    "Call of Duty", "Jade Empire", "Mass Effect", "Splinter Cell"
  • Evolve Mutations / Evolve Mutations Bundle

    Cris Velasco

    “With other sample libraries, I have to spend too much of my time tweaking them to get them to sound acceptable. Evolve Mutations sounds incredible right away, which allows me to spend more time composing, and less time trying to fix mediocre sounds.”

    "Beowulf: The Game", "God of War I & II", "Prototype"
  • Evolve

    Jason Graves

    “The beauty of Evolve is the deadly combination of first-rate, out-of-the-box sounds with the all too easy ability to tweak everything to make it your own. It’s the best of both worlds! Evolve is at the top of my ‘go-to’ list for inspirational and evocative sounds. It’s easily one of the best sounding virtual instruments I’ve had the pleasure of playing.”

    "Command and Conquer", "Dead Space", "F.E.A.R."
  • Evolve Mutations 2 / Evolve Mutations Bundle

    John Debney

    “Heavyocity has raised the bar again. Mutations 2 is another must have for any composer’s arsenal. Not only does it sound great, but the sounds are highly useable and sit just right in a mix.”

    "Iron Man 2", "Mummy: Tomb of the Dragon Emperor", "Sin City", "The Passion of the Christ", Academy Award Nominated Composer
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Sascha Dikiciyan

    “With DAMAGE, the Heavyocity guys redefined percussive sampling. Now with AEON they created an entire universe of organic hybrid sounds ready to be mangled at your finger tips. Never has a sample library had this many features and powerful effects. Better hurry, I’m already using it on my next score.”

    "God of War 2", "Mass Effect 3", "Quake 2", "Tron: Evolution"
  • Evolve

    Mike McKnight

    “What you guys delivered is completely different… Nothing sounds like this. The sounds seem perfect for anything from a really intelligent dance remix to the score for ‘Battlestar Galactica’ or a billion other movies… Just awesome inspiring kick-ass sounds!!”

    Bruce Springsteen, Janet Jackson, Lenny Kravitz, Madonna, U2
  • Evolve Mutations 2 / Evolve Mutations Bundle

    Lee Sanders

    “This library is a beast! It opens up a whole new playground for keeping the “sound of the sound” alive and responsive—and, above all, inspiring. Like its predecessors, it makes me want to hang out in my studio for days on end and just explore. The Trigger FX function adds a whole new dimension, making it seriously addictive to explore even deeper, effectively banishing the “been there, heard that” personality of so many other libraries. With Mutations 2 Heavyocity have ‘upped the game’… again.”

    "Project Runway", "The Amazing Race", "The Bachelor"
  • Damage

    David Buckley

    “The creative possibilities of this library really feels endless. The sound sources are well represented by both organic and processed elements. You will have certain expectations with a product called DAMAGE, and Heavyocity’s new offering will shatter all of them.”

    "The Forbidden Kingdom", "The Good Wife", "The Town"
  • Evolve Mutations 2 / Evolve Mutations Bundle

    Inon Zur

    “With my daily composing work I need to produce a lot of music and very fast,
    but also music that sounds fully produced and in high quality. This is exactly what Evolve Mutations 2 gives me, and then some! The quality of the samples is superb, and the loops are flawless. On top of that this library is very easy to operate, so it just makes my life easier. I HIGHLY RECOMMEND.”

    "Dragon Age Origins", "Fallout 3", "Prince of Persia Series"
  • DM-307

    Joe Trapanese

    “DM-307 took me by surprise. I wasn’t sure what to expect but after experiencing what this library has to offer it has found a unique home in my studio. I’ve always lamented the shortage of good percussive libraries that sound great and feel great. Between DM-307, Damage, and Aeon, Heavyocity has brought composers’ libraries that elevate our work and inspire creativity.”

    Oblivion, The Bourne Legacy, Tron: Legacy
  • Damage

    Damian Taylor

    “I like having a huge pallet of sounds to draw from, and DAMAGE has extended mine further. It’s not just a preset factory though, there’s so many ways to mold or mangle the sounds into a shape that works. It might look like a big nasty noise machine, but it can be used to provide some subtle contrasts in an otherwise pretty setting too.”

    Arcade Fire, Bjork, The Killers
  • Damage

    Pieter A. Schlosser

    “DAMAGE has become an integral part of my palette and it blends seamlessly regardless of the genre of music I’m working on. I was amazed at how versatile this library truly is! Not only in regards to sounds but also how you can manipulate and tweak them with their built in effects and EQ’s and filters.”

    "Desperate Housewives", "Gears Of War 2+3", "The Lying Game", "The Sims 3"
  • DM-307

    Martin Eyerer

    “Very cool presets and sounds. It’s great for creating loops from another approach. I seriously dig the drum and hi-hat banks. Good stuff!!”

    Buzzin Fly, Great Stuff Recordings, Owner - Kling Klong Records
  • Evolve Mutations 2 / Evolve Mutations Bundle

    Kevin Riepl

    “Mutations 2 takes Heavyocity’s sound into an even more customizable, destructive realm. The programming and ‘Trigger FX’ switching in this new set of sounds eliminates huge amounts of time I normally spend personalizing sounds. Out of the box, Mutations 2 once again fits nicely with the style I write. Adding in the ‘on the fly’ effects key-switching makes this this collection a MUST BUY.”

    "Aliens: Colonial Marines", "Crackdown 2", "Gears of War", "Unreal 3"
  • DM-307

    Davide Squillace

    “I’ve spent hours going through the whole library and every single sound is fat and clean, just the way I like them. [DM-307] gives you the option to make them the way you like, tweaking here and there. The whole thing is ACE! I’ve been using Heavyocity’s products since day one and have always been extremely satisfied.”

    Founder - Hideout, Ovum Recordings, Owner - This And That, SCI+TEC
  • Evolve Mutations / Evolve Mutations Bundle

    Sascha Dikiciyan

    “Just like with Evolve, Heavyocity delivers once again with their newest Mutations. It’s incredibly wicked and a must for any serious composer!!”

    "Borderlands", "Prototype", "Splinter Cell 4", "Stranglehold"
  • Evolve Mutations 2 / Evolve Mutations Bundle

    Brian Tyler

    “Evolve Mutations 2 take the core musical and sonic coolness of Evolve to a completely different level. The sounds are extreme and evocative. A really great tool for anyone in music production.”

    "Bangkok Dangerous", "Eagle Eye", "Fast & Furious", "Law Abiding Citizen"
  • Evolve Mutations / Evolve Mutations Bundle

    Jason Graves

    “Mutations delivers dry, in-your-face sounds that ooze style and character. It’s also aptly named – the simple but powerful interface allows radical manipulation and sonic mayhem, which is a must for those of us looking to make every sound ‘our own.’ And of course, in the tradition of Evolve, it sounds like a million bucks and sits perfectly in all of my mixes.”

    "Alpha Protocol", "Dead Space: Extraction", "Section 8"
  • Evolve

    Trevor Morris

    “Evolve captures the top qualities I look for in a library: cinematic gravitas. In a market flooded with anaemic sample libraries, Evolve steps up to the plate with killer content and a sonic aesthetic that is simply inspired.”

    "The Hills Have Eyes II", "The Tudors"
  • Evolve

    Grandmaster Flash

    “…The EVOLVE plug is amazing.”

    Hip Hop Icon
  • Damage

    Chase and Status

    “We were hoping that no one would find out about the new DAMAGE pack… but the secret’s out. Pure sickness from the best in the biz.”

    BRIT Awards 2012 Nominated Artists
  • Damage

    Harry Gregson Williams

    “The boys at Heavyocity have come up with another blinder in Damage – top notch sounds and the smart & creative programming tools needed to manipulate them.  Job done!”

    "Cowboys & Aliens", "Unstoppable", "X-Men Origins: Wolverine"
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Damian Taylor

    “AEON is a welcome addition to my studio’s sound library. There’s a really nice organic essence to the sounds, plus the tweakability of the interface gives even more scope to do something different.”

    Arcade Fire, Depeche Mode, DJ Shadow, Metallica, Mixer/Engineer for Bjork, The Killers, The Prodigy, Trust
  • Damage

    Claude Samard – Polikar

    “I first used DAMAGE while composing the score for a major TV series. It helped me to develop fresh ideas in a quick, creative and intuitive way. Those inspiring textures pushed me into new territories and gave me the edge I was looking for. DAMAGE is very useful where epic, ballsy, energetic and organic sounds are required.”

    "Best Music" Awards for film music in "Bo Ba Bu" and "Christopher Roth", MD for Jean-Michel Jarre, Producer for "Rayman Arena"
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Jordan Rudess

    “With the release of Aeon, Heavyocity maintain there status as a leader in the sonic domain. They are master programmers that know how to provide inspiration in every thing they touch. I’m personally blown away by the depth of what this collection offers to my musical world.”

    Veteran Keyboardist – Dreamtheater
  • Damage

    John Digweed & Nick Muir

    “When we loaded up DAMAGE, the sound quality of the samples took our breath away. It sounds absolutely awesome – huge!

    Bedrock Records
  • Damage

    Javier Navarrete

    “DAMAGE is amazing. It manages to push the high standards of the previous creations of the Heavyocity team. DAMAGE has the trademark of the industry, but in a wider and more poignant scope. Great cinematic stuff, energetic, refreshing, and inventive. Thanks!”

    "Inkheart", "Pan's Labyrinth", "The Warrior's Way", Oscar-Nominated Composer
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Namito

    “AEON Melodic and Rhythmic are two extremely powerful instruments packed with high end sounds and I can’t wait to explore them further in the next weeks! Expect some new tunes from me with AEON sounds involved!”

    Greenhorn Records, Kling Klong, Systematic Recordings, Yoshitoshi
  • Damage

    Liam H (The Prodigy)

    “I’ve always been a beats man and this percussion hits big and hard. The effects side of it, specifically the distortion is very special – it’s the cinematic width and sound that makes it very different to anything else out there.”

    The Prodigy
  • Evolve Mutations 2 / Evolve Mutations Bundle

    Jez Colin

    “As a remixer, I’m always looking for new sounds that bring fresh attitude to a track. Evolve Mutations 2 has the most inspiring collection of sonics under one instrument, that I’ve heard in years! When it comes to edgy glitchy, industrial beats, nothing comes close. If I’m looking to elevate the atmospherics and deepen the production, Evolve Mutations 2 is the first place I go.”

    "District 9", "G.I. Joe", "Men Who Stare At Goats", "Nightmare On Elm Street", "Terminator Salvation", "The Informant", "The Latin Project", Remixer/Producer/Composer (Alanis Morissette - Bebel Gilberto - Morcheeba)
  • Damage

    James Newton Howard

    “Heavyocity has created another amazing product with DAMAGE.”

    "I Am Legend", "King Kong", "Michael Clayton", "Pretty Woman", "Salt", "The Dark Knight", "The Fugitive", "The Sixth Sense"
  • Evolve

    Jordan Rudess

    “Evolve is a tremendous musical platform. Since I got it, I have used it on every musical project that has come my way. I look forward to getting in the studio when I can bring in that plug-in and just ride the inspiration.”

    Veteran Keyboardist – Dreamtheater
  • Evolve Mutations / Evolve Mutations Bundle

    Tom Salta

    “Mutations is a fantastic upgrade to Evolve. The sounds blend perfectly with the rest of my libraries and provide more of the same edgy kind of material I love using to spice up my tracks.”

    "Need For Speed Underground 2", "Tom Clancy’s Ghost Recon: Advanced Warfighter Series", "Tom Clancy’s H.A.W.X."
  • DM-307

    Maher Daniel

    “Instantly hooked on the DM-307. Its fluidity to write drums is amazing and the structure is well-planned out. Full support on this and to The Heavyocity team.”

    "Bedrock", All Day I Dream, Circus Recordings, Souvenir
  • Evolve Mutations / Evolve Mutations Bundle

    Jack David Elliot

    “I am using Mutations for a new remix… I am totally loving it. Right up my alley.”

    Remixer for Britney Spears - NSYNC - Ashley Tisdale - Nick Lachey
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Jason Graves

    “I really love the multi-sampled organic patches – truly original sounds that inspire new ideas with a few notes. Seriously, though…you guys are making it WAY TOO EASY to sound like a synth programming maestro. Aeon is so tweakable and easy to make your own. And man, what a sound! I’ve never heard synths that sit so well in my mixes without touching a thing – full and fat without taking up too much space. I hate that it’s getting released to the public…can’t we keep this one between us?”

    "Command and Conquer", "Dead Space", "F.E.A.R."
  • DM-307

    Steve Jablonsky

    “DM-307 is yet another example of Heavyocity standing out from the crowd. Their stuff is always bold, and let me tell you this thing is BOLD. Some of the sounds will take your head off right out of the box. And like all of their other synths, I love the interface. The grid is awesome, so fun to use and it just works with my writing. Heavyocity take great care in making interfaces that don’t bog you down when you’re trying to create, but rather enhance your workflow. I love these guys!!”

    "Enders Game", "Lone Survivor", "Transformers" (3 films)
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Kevin Riepl

    “Heavyocity is without a doubt far beyond their peers and at the forefront of using Kontakt & it’s scripting abilities to the fullest. This time, with Aeon they not only created new content, but new original tools to manipulate the synths & rhythms, giving the artist even more creative control than ever before. Using their custom intuitive interface, coupled with it’s outstanding content puts Aeon over the top. There is no other library like it.”

    "Aliens: Colonial Marines", "Ascend: New Gods", "Cabin Fever: Patient Zero", "Gears of War", "Silent Night"
  • DM-307

    Ramin Djawadi

    “DM-307 continues to innovate the Heavyocity sound through immersive sound design and musical programming. DM-307 offers me a versatile sound palette that expands the possibilities of musical expression and creation.”

    "Game of Thrones", "Iron Man", "Pacific Rim", "The Strain" TV Series
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Martin Eyerer

    “Both AEON Melodic and Rhythmic contain a lot of inspiring sounds and sequences. Specially the sequenced stuff is what I like…the quality of samples is highest level. It’s a big world of sounds to discover and I definitely will use this a lot.”

    DJ / Producer, Label Owner of Kling Klong Records, Mastering Engineer
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Angelo Badalamenti

    “AEON offers a tremendous new palette of sounds and inspiration for modern scoring.”

    A Late Quartet, Mulholland Drive, The City of Lost Children, Twin Peaks
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Robert Dietz

    “Heavyocity does it again! AEON is perfect for building melodic textures and beefy motifs, quickly and efficiently. The sonic possibilites are endless.”

    Cadenza, Cécille, Deep Vibes, Running Back, Saved
  • Evolve Mutations 2 / Evolve Mutations Bundle

    CATO

    “EVOLVE MUTATIONS 2 delivers a new kick-ass set of inspiring, great sounding, very playable loops and instrument patches. Letting you play, process and “evolve” the sounds in real time using just your keyboard and key commands, EVOLVE MUTATIONS 2 delivers like nothing else. I’m hooked!”

    "Sherlock Holmes", "Spider-Man 1/2/3", "Wall-E", 200+ film trailers
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Joe Trapanese

    “AEON is a welcome addition to my toolkit. It’s sound quality and ease of use is refreshing. Like DAMAGE before it, AEON presents a vast array sonic possibilities for the hybrid music composer.”

    Oblivion, Tron: Legacy
  • DM-307

    Jack Wall

    “DM-307 has a great deeply customizable interface to create the rhythm, energy and motion I need for my scores. I look forward to digging in to yet another sonic feat from Heavyocity.”

    "Call of Duty: Black Ops II", "Mass Effect" Series

Featured Products

  • DM-307

    $299.00 Add to Cart

    Modern Groove Design Stylized Production-Ready Beats

    Redefine your grooves with an innovative collection of modular synth drums, live percussion, and processed classic analog drum machines. With more than 3,600 unique sounds and loops housed in 1500+ presets, DM-307 introduces inspiring ways to quickly and easily create jaw-dropping beats in a variety of styles.

  • Damage

    $299.00 Add to Cart

    Breathtaking Percussion With a Tense, Epic Edge

    Damage gives you 30 GB (16GB on disk) of drama, fusing industrial sounds and orchestral drums into a devastating electro-acoustic barrage. Powered by the Kontakt 5 (Kontakt 5 Player) engine, Percussive Kits provide more than 200 deeply sampled percussion sources, and over 500 single-shot elements, recorded in up to seven velocity layers and with up to nine round-robins per drum.

  • AEON Collection

    $399.00 Add to Cart

    Inspiration Redefined A Ground-Breaking New Collection

    From lyrical and expressive to dark and aggressive, this unique collection delivers 27 GB of organic and synth melodic instruments, cutting-edge loops, arpeggiated instruments, and epic One-Shots. AEON combines traditional, ethnic, and orchestral instruments with searing synths and edgy samples, all created with Heavyocity's signature quality.

About Heavyocity

Heavyocity is a collective of pro composers and sound designers (Neil Goldberg, Dave Fraser, Ari Winters and George Valavanis) with a mission to create world class virtual instruments for today’s modern composer and sound designer. The philosophy is simple: Provide cutting edge, inspiring instruments and sounds that supercharge creativity, formatting them in a ways that enhances productivity.

With so many “all encompassing” virtual instruments on the market, sifting through thousands of patches disrupts the creative process. One of the main goals of Heavyocity is to provide those perfect “go-to” signature elements quickly and effectively.