Featured Products

  • GRAVITY

    $449.00 Add to Cart

    Modern Scoring Tools Pads, Risers, Stings & FX

    Developed by Heavyocity’s critically acclaimed team of professional composers and sound designers (Interstellar, Gone Girl, Godzilla), GRAVITY covers the gamut of intangible scoring elements; complex Pads, evocative Risers, other-worldly Stings, and earth-shattering Hits.

  • DM-307

    $299.00 Add to Cart

    Modern Groove Design Stylized Production-Ready Beats

    Redefine your grooves with an innovative collection of modular synth drums, live percussion, and processed classic analog drum machines. With more than 3,600 unique sounds and loops housed in 1500+ presets, DM-307 introduces inspiring ways to quickly and easily create jaw-dropping beats in a variety of styles.

  • AEON Collection

    $399.00 Add to Cart

    Inspiration Redefined A Ground-Breaking New Collection

    From lyrical and expressive to dark and aggressive, this unique collection delivers 27 GB of organic and synth melodic instruments, cutting-edge loops, arpeggiated instruments, and epic One-Shots. AEON combines traditional, ethnic, and orchestral instruments with searing synths and edgy samples, all created with Heavyocity's signature quality.

What The Pros Say

  • Gravity

    Steve Jablonsky

    “GRAVITY is the perfect tool for any composer scoring to picture. The sounds are inspiring and categorized in a really smart way. The interface is deep but also quick and intuitive. GRAVITY has already become one of my go to scoring tools. Thanks for nailing it again, Heavyocity.”

    "Battlefield 5: Armageddon" (game), "The Last Ship", "Transformers" (Film Franchise)
  • Gravity

    Richard Jacques

    “Heavyocity have done it once again. On loading the first few patches of GRAVITY, I knew that this library was truly unique in it’s sound. The impacts are earth shattering, the pads are both beautifully haunting and utterly twisted at the same time, and the risers are simply massive. This is a wonderful addition to the other Heavyocity libraries, and GRAVITY fits into my sonic palette like a glove and is already firmly in my template.”

    "James Bond 007: Blood Stone", "Mass Effect", "Starship Troopers"
  • Gravity

    Max Richter

    “The other day I wandered into the studio and noticed an unfamiliar and spooky looking interface glowing at me from the computer. Turns out its the new Heavyocity GRAVITY, which my assistant had set up. I sat down, pressed a key, and started laughing out loud. Its stunning. You guys have done it again.”

    "Recomposed: Vivaldi - The Four Seasons", "The Leftovers", "Woolf Works" (Ballet)
  • Gravity

    Jesse Voccia

    “To my ears, GRAVITY is complete perfection. There is a staggering variety of colors in GRAVITY but there is also an overall unifying design to it. The ambient sonorities are lush, evocative and hypnotic. The Risers and Stings are spectacular and the Hits are huge and completely awe-inspiring. I think GRAVITY is the greatest sample library ever produced.”

    "Bosch", "Ca$h", "Splinters"
  • Gravity

    Cris Velasco

    “Heavyocity is consistently putting out libraries that have found their way into almost every score I’ve written over the last five years. With the release of GRAVITY, I was literally holding back cues from clients until I could add these sounds to my current projects. Well done, guys!”

    "Assasin's Creed: Dead Kings" (Game), "Clive Barker's Books of Blood", "Mass Effect 3" (Game)
  • Gravity

    Trevor Morris

    “GRAVITY lives up to its name for me. Deep, Cinematic, and extremely playable. It brings such instant satisfaction, but with extensive tweak ability as well. It just sounds Alive to me. An instant addition to my next movie score”

    "London Has Fallen", "Olympus Has Fallen", "Vikings" (TV Series)
  • Gravity

    Alex Pfeffer

    “GRAVITY absolutely keeps what the name implies! Once you get close to it, you will always gravitate towards it when it comes to brilliantly crafted Modern Scoring Tools!”

    "Death Race 3" (add. music), "Pacific Rim" (Comic Con Trailer), "Wolfenstein - The Old Blood" (add. song writing)
  • Gravity

    Stephan Hinz

    “Wow, GRAVITY is way beyond everything else I had in my fingers when it comes to dark and sinister sound design, and it’s even beyond that. Actually, it’s the world’s nemesis in a playable instrument and you can control every parameter of doomsday.”

    "Second State", Drumcode, Kling Klong
  • Gravity

    Oliver Laib

    “If I were a director, I could not resist shooting a scene on every single one of the ‘Ambient-Elements’ patches! I especially love the more minimal elegance on some of the synth-presets. Leading-edge stuff!!”

    Orange Telecom, Pepsi, Riverside Studios - Berlin
  • Gravity

    John Debney

    “Holy interface Batman! GRAVITY is an unbelievable feat in sampling technology. Not only does it sound awesome..with endless possibilities, but it’s just plain fun. Which is where the best inspiration comes from. Thank you, Heavyocity! GRAVITY kicks a$$!”

    "Iron Man 2", "Texas Rising", "The Passion of the Christ"
  • Gravity

    Kevin Riepl

    “With GRAVITY, Heavyocity dove in and flexed a musical muscle they really haven’t showcased in any of their previous products. Having said that, GRAVITY goes above and beyond the bar of quality they’ve previously set for themselves. The sounds are inspiring. Everything from the pads to the stings and hits are so easily tweak-able to make my own. This library has some legs for sure and will definitely become a staple in my template for many projects to come.”

    "Aliens: Colonial Marines" (Games), "Batman Unlimited" (Films), "Contracted" (Film)
  • Gravity

    Bill Brown

    “GRAVITY is a cutting-edge, unique design tool that uses intensely well-recorded live orchestral and analog sources to create modern ambiences, pulses, risers and more. Tweaking sounds within the elegantly designed Kontakt interface is fast and pushes the envelope in creative, musical ways. The programming is top notch and inspires new directions… This is an amazing, really fun tool that I highly recommend.”

    "Captain America: Super Soldier" (Game), "Dominion" (TV Series), "Wolfenstein" (Game)
  • Gravity

    Jason Graves

    “Phenomenal sounds and instant accessibility are the two hallmarks of any Heavyocity product. As if they couldn’t top themselves…gotta say this is the most epic and tweak-able Heavyocity release yet. It’s already made its way into two of my current projects. GRAVITY is an epic twist on creative sound sources and rafter-shaking drama.”

    "Dead Space" Series, "Evolve", "The Order: 1886", "Tomb Raider"
  • Gravity

    Ramin Djawadi

    “The diversity of sound within GRAVITY is astonishing. Each sound inspires new ideas and creative techniques that enhance my writing process. The elements in GRAVITY not only sound great but are very musical and functional. Music/Sound design is pushed to new limits with GRAVITY. Any musician will benefit with GRAVITY in their toolbox.”

    "Game of Thrones", "Pacific Rim", "Safehouse"
  • Ethnic Drum Ensembles - Kits / Ethnic Drum Ensembles - Loops / Ethnic Drum Ensembles Collection

    Alex Pfeffer

    “Ethnic Drum Ensembles is the library I was always longing for when I wanted “that” huge ethnic sound! As soon as I heard this newest release by the Heavyocity guys I knew they nailed it again as they did with all their previously released products!”

    "Enders Game", "Pacific Rim", "Sherlock Holmes", Wolfenstein - The New Order
  • Ethnic Drum Ensembles - Kits / Ethnic Drum Ensembles - Loops / Ethnic Drum Ensembles Collection

    Jason Graves

    “What can I say? Heavyocity continues to blow me away with their amazing and infinitely adaptable sounds. These drums are so modern and punchy, oozing with analog mojo that so many sample libraries seem to be missing. And the interface! So a treat to use – classy looks with ultra intuitive controls. Heavyocity makes it so easy to tweak the sounds and make them your own. Hands down the best looking, and sounding, virtual instruments available.”

    "Dead Space" Series, "Evolve", "Tomb Raider"
  • Ethnic Drum Ensembles - Kits / Ethnic Drum Ensembles - Loops / Ethnic Drum Ensembles Collection

    David Buckley

    “Ethnic Drum Ensembles is one of those fantastic libraries where you load up a patch and you have something awesome at your fingertips immediately. But then you can get into the deep layers of effects and processing and really make every patch your own. Likewise the loops have that Heavyocity cool thing going on, but there is plenty of room for manipulation. Another incredibly useful tool from the Heavyocity boys.”

    "Batman - Arkham Knight", "Call of Duty: Ghosts", "The Town"
  • Ensemble Drums - Kits / Ensemble Drums - Loops / Ensemble Drums Collection

    Tom Salta

    “Master Sessions: Ensemble Drums does an incredible job of providing beefy, massive and hard hitting percussion ensembles that are supper tight, mix ready and sound huge at any volume. Like previous Heavyocity products, all the programming is rock solid and consistent.”

    H.A.W.X. Series, Prince of Persia, Red Steel Series, Tom Clancy's Ghost Recon: Future Soldier
  • Ensemble Drums - Kits / Ensemble Drums - Loops / Ensemble Drums Collection

    Clinton Shorter

    “Master Sessions: Ensemble Drums is yet another killer sounding, sleek and deceivingly deep product from Heavyocity. The kits sit nicely in your mixes, and with the ability to Punish and Twist all the stem breakdowns of the loops, it’s easy to make them your own.”

    "District 9", "The Informant", Pompeii
  • Ensemble Drums - Kits / Ensemble Drums - Loops / Ensemble Drums Collection

    Cris Velasco

    “Between Damage, DM-307 and Evolve, I thought I had every massive percussion library I’d ever need. I was wrong. Master Sessions: Ensemble Drums brings the extra low end punch that blends perfectly with your other libraries. These are samples that you didn’t know you needed, but that now you can’t live without.”

    Borderlands 1 & 2, God Of War I-III, Mass Effect 2 & 3
  • Ensemble Drums - Kits / Ensemble Drums - Loops / Ensemble Drums Collection

    Joe Trapanese

    “Heavyocity’s new Ensemble Drums is a welcome addition to my studio. Continuing their reputation for powerful organic percussion, it’s ease of use and impressive sonic quality provides an excellent foundation for modern film music production.”

    Oblivion, The Bournce Legacy, Tron: Legacy
  • DM-307

    Hector Couto

    “The DM-307 is really intuitive and easy to work with it. You can expect really nice sounds for your productions, for sure.”

    Get Physical, Hot Creations, Owner - Roush
  • DM-307

    Maher Daniel

    “Instantly hooked on the DM-307. Its fluidity to write drums is amazing and the structure is well-planned out. Full support on this and to The Heavyocity team.”

    "Bedrock", All Day I Dream, Circus Recordings, Souvenir
  • DM-307

    Davide Squillace

    “I’ve spent hours going through the whole library and every single sound is fat and clean, just the way I like them. [DM-307] gives you the option to make them the way you like, tweaking here and there. The whole thing is ACE! I’ve been using Heavyocity’s products since day one and have always been extremely satisfied.”

    Founder - Hideout, Ovum Recordings, Owner - This And That, SCI+TEC
  • DM-307

    Ramin Djawadi

    “DM-307 continues to innovate the Heavyocity sound through immersive sound design and musical programming. DM-307 offers me a versatile sound palette that expands the possibilities of musical expression and creation.”

    "Game of Thrones", "Iron Man", "Pacific Rim", "The Strain" TV Series
  • DM-307

    Steve Jablonsky

    “DM-307 is yet another example of Heavyocity standing out from the crowd. Their stuff is always bold, and let me tell you this thing is BOLD. Some of the sounds will take your head off right out of the box. And like all of their other synths, I love the interface. The grid is awesome, so fun to use and it just works with my writing. Heavyocity take great care in making interfaces that don’t bog you down when you’re trying to create, but rather enhance your workflow. I love these guys!!”

    "Enders Game", "Lone Survivor", "Transformers" (3 films)
  • DM-307

    Jack Wall

    “DM-307 has a great deeply customizable interface to create the rhythm, energy and motion I need for my scores. I look forward to digging in to yet another sonic feat from Heavyocity.”

    "Call of Duty: Black Ops II", "Mass Effect" Series
  • DM-307

    Jason Graves

    “Hands down, my new number one go-to for any drum/percussion sound. What really impresses me every time I open it is the meticulously designed interface. It makes everything quick and easy, but the power and control you have over the sounds is truly amazing. Having so much control inside the instrument itself is saving me time and processing power – two things we can always use more of!”

    "Command & Conquer", "Dead Space", "F.E.A.R."
  • DM-307

    Harry Gregson-Williams

    “DM-307 is yet another home run for the boys at Heavyocity. It offers the
    user the chance to create unique and fresh drum loops & sounds with
    maximum flexibility and is a joy to use. It’s a keeper without doubt!”

    "Chronicles of Narnia", "Cowboys & Aliens", "Kingdom of Heaven", "The Town", "Total Recall"
  • DM-307

    Tom Salta

    “I’m loving the DM-307, it’s got that signature Heavyocity attitude, rock solid timing and an incredible variety of ultra-tweakable sounds. The GUI is among the best I’ve ever used in a Kontakt instrument. It’s is an amazing drum tool that has instantly jumped to the top of my go-to list.”

    Ghost Recon Series, Halo: Combat Evolved Anniversary, Halo: Spartan Assault, Prince of Persia: The Forgotten Sands, Red Steel Series
  • DM-307

    Joe Trapanese

    “DM-307 took me by surprise. I wasn’t sure what to expect but after experiencing what this library has to offer it has found a unique home in my studio. I’ve always lamented the shortage of good percussive libraries that sound great and feel great. Between DM-307, Damage, and Aeon, Heavyocity has brought composers’ libraries that elevate our work and inspire creativity.”

    Oblivion, The Bourne Legacy, Tron: Legacy
  • DM-307

    The Crystal Method

    “We are already using DM-307 on every new cue we’re scoring on ‘Almost Human’! We know we’re just scratching the surface on what seems to be an infinitely limitless production tool! The sounds and flexibility are amazing!”

    "Almost Human", Platinum Selling Electronic Music Duo
  • DM-307

    Kevin Riepl

    “The DM307 is an extremely versatile groove making powerhouse. The range of this instrument amazed me. From out-of-box killer grooves to being able to meticulously craft your own by using their new GRID and LOOP MUTATOR features. With an enormous library of sounds and the ability to tweak, the DM307 is a welcomed addition to my sound and style of writing.”

    "Aliens: Colonial Marines", "Contracted", "Crackdown 2", "Gears of War"
  • DM-307

    Mendo

    “Really powerful as well as clean. What I also like is that it doesn’t sound “digital” like many other plugins. I was astonished by the ease of use and amount of possibilities. Haven’t seen anything like this in a while!”

    8bit, Cadenza, Defected Records, Owner - Clarisse Records
  • DM-307

    Pirupa

    “There are so many interesting sounds in the DM-307 that I plan to use. I found there to be a lot of really nice dark percussion and cool hi hats. Very dark-techy….and also a little bit electro!”

    D-Floor, Desolat, Snatch! Records, Suara, VIVa Music
  • DM-307

    Uner

    “I love it! The bass frequencies sound amazing and the highs have the perfect brightness. Ground-breaking!”

    Cadenza, Diynamic, Get Physical, Ibiza DJ Awards 2013 Recipient
  • DM-307

    Martin Eyerer

    “Very cool presets and sounds. It’s great for creating loops from another approach. I seriously dig the drum and hi-hat banks. Good stuff!!”

    Buzzin Fly, Great Stuff Recordings, Owner - Kling Klong Records
  • DM-307

    Kaiserdisco

    “The sound of the DM-307 is awesome! You don´t need to add tons of plugins to get it to sound good. The sounds are ready to use in your productions.”

    100% Pure, Drumcode, Owners - KD Music, Terminal M
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Mark Isham

    “…both Aeon Rhythmic and Melodic sound fantastic. I’ve come to expect that. But Heavyocity has gone five steps further in their programming. There is a true, real, usable, and to my mind the finest digital emulation of a step sequencer in these libraries! The sound shaping possible in the Aeon interface is better than any Kontakt library we’ve used to date at my studio. Simply put – instantly usable sounds in an infinitely customizable interface, deeply and expertly programmed.”

    "Chicago Hope", "Crash", "Once Upon A Time"
  • AEON Collection / AEON Melodic / AEON Rhythmic

    David Newman

    “I love the Aeon Melodic library, and it’s so easy to use and program. When I am writing I just want stuff to “work”. “Advanced Performance Options” allow me to explore very contemporary soundscapes which is great in augmenting live musicians and orchestra. I love how easy it is to use. The sounds seem to fit seamlessly into my orchestrations. Great Work!!”

    "Galaxy Quest", "Ice Age", "Serenity", "The Sandlot"
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Vernon Reid

    “In the crowded world of sample-based Sound Design & film scoring tools Heavyocity’s Aeon series stands apart not only in terms of it vast array of  progressive timbres, tone colors, & moods but in the attention to user controllable aspects that encourage users to make their Aeon Soundscape experience  truly their own. Fantastic!”

    Black Rock Coalition, Virtuoso guitarist - Living Colour
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Maher Daniel

    “After using Aeon Melodic and Rhythmic for just one week I am really taken away by its proficiency and the time and effort the team behind it took to deliver such a solid package. I normally swear by my hardware but have found new light and faith in this absolutely brilliant instrument.”

    All Day I Dream, Bedrock Records, Circus Recordings, Get Physical, Rejected, Souvenir
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Martin Eyerer

    “Both AEON Melodic and Rhythmic contain a lot of inspiring sounds and sequences. Specially the sequenced stuff is what I like…the quality of samples is highest level. It’s a big world of sounds to discover and I definitely will use this a lot.”

    DJ / Producer, Label Owner of Kling Klong Records, Mastering Engineer
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Jordan Rudess

    “With the release of Aeon, Heavyocity maintain there status as a leader in the sonic domain. They are master programmers that know how to provide inspiration in every thing they touch. I’m personally blown away by the depth of what this collection offers to my musical world.”

    Veteran Keyboardist – Dreamtheater
  • Damage

    Jorge Corante

    “For intense and aggressive percussive elements, DAMAGE is the perfect driving force to my musical compositions. I’m especially fond of the interface’s intuitive yet robust and unlimited programmability. I’ve been a longtime Heavyocity user, and I’m awestruck at their ability to produce new groundbreaking sample libraries that never disappoint.”

    "CSI: Miami", "Ninja Assassin", "Scary Movie 3", Writer/Producer for "The Town"
  • Damage

    Claude Samard – Polikar

    “I first used DAMAGE while composing the score for a major TV series. It helped me to develop fresh ideas in a quick, creative and intuitive way. Those inspiring textures pushed me into new territories and gave me the edge I was looking for. DAMAGE is very useful where epic, ballsy, energetic and organic sounds are required.”

    "Best Music" Awards for film music in "Bo Ba Bu" and "Christopher Roth", MD for Jean-Michel Jarre, Producer for "Rayman Arena"
  • Damage

    Pieter A. Schlosser

    “DAMAGE has become an integral part of my palette and it blends seamlessly regardless of the genre of music I’m working on. I was amazed at how versatile this library truly is! Not only in regards to sounds but also how you can manipulate and tweak them with their built in effects and EQ’s and filters.”

    "Desperate Housewives", "Gears Of War 2+3", "The Lying Game", "The Sims 3"
  • Evolve Mutations / Evolve Mutations Bundle

    Sascha Dikiciyan

    “Just like with Evolve, Heavyocity delivers once again with their newest Mutations. It’s incredibly wicked and a must for any serious composer!!”

    "Borderlands", "Prototype", "Splinter Cell 4", "Stranglehold"
  • Evolve Mutations / Evolve Mutations Bundle

    Kevin Riepl

    “The guys from Heavyocity keep on impressing me. Without fail, Mutations steps it up a notch. A very hard dirty industrial creepy notch! This is a perfect compliment to the already diverse Evolve. Once again, right out of the box, these sounds lit a massive brush fire of ideas in my head, that kept spreading and expanding. An all around a must have!”

    "City of Villains", "Gears of War", "Unreal Tournament 3"
  • Evolve

    Kevin Riepl

    “Wow, where do I even start!? Where did you guys come from? This Evolve library is everything I’ve wanted in a sample library for years. The dynamic range across all 6 gigs of content is astounding, from the heaviest of hits and beats, to the lightest quirkiness of a mouth pop. The quality and production of Evolve from top to bottom is by far the biggest bang for your buck on the market today.”

    "Aliens: Colonial Marines", "Gears of War2", "Hunted: The Demon's Forge"
  • Evolve Mutations 2 / Evolve Mutations Bundle

    Kevin Riepl

    “Mutations 2 takes Heavyocity’s sound into an even more customizable, destructive realm. The programming and ‘Trigger FX’ switching in this new set of sounds eliminates huge amounts of time I normally spend personalizing sounds. Out of the box, Mutations 2 once again fits nicely with the style I write. Adding in the ‘on the fly’ effects key-switching makes this this collection a MUST BUY.”

    "Aliens: Colonial Marines", "Crackdown 2", "Gears of War", "Unreal 3"
  • AEON Collection / AEON Melodic / AEON Rhythmic

    Namito

    “AEON Melodic and Rhythmic are two extremely powerful instruments packed with high end sounds and I can’t wait to explore them further in the next weeks! Expect some new tunes from me with AEON sounds involved!”

    Greenhorn Records, Kling Klong, Systematic Recordings, Yoshitoshi
  • Damage

    Damian Taylor

    “I like having a huge pallet of sounds to draw from, and DAMAGE has extended mine further. It’s not just a preset factory though, there’s so many ways to mold or mangle the sounds into a shape that works. It might look like a big nasty noise machine, but it can be used to provide some subtle contrasts in an otherwise pretty setting too.”

    Arcade Fire, Bjork, The Killers
  • Damage

    Joe Trapanese

    “Within seconds of installing DAMAGE it became an essential part of my studio. It’s unique tempo-synced loops and dynamic multi-sampled percussive instruments immediately inspired creation. DAMAGE feels neither old or new- it feels just right, like it has always belonged in my studio toolkit.”

    "The Raid", Oblivion, Tron: Legacy
  • Damage

    Liam H (The Prodigy)

    “I’ve always been a beats man and this percussion hits big and hard. The effects side of it, specifically the distortion is very special – it’s the cinematic width and sound that makes it very different to anything else out there.”

    The Prodigy
  • Damage

    John Digweed & Nick Muir

    “When we loaded up DAMAGE, the sound quality of the samples took our breath away. It sounds absolutely awesome – huge!

    Bedrock Records
  • Damage

    David Buckley

    “The creative possibilities of this library really feels endless. The sound sources are well represented by both organic and processed elements. You will have certain expectations with a product called DAMAGE, and Heavyocity’s new offering will shatter all of them.”

    "The Forbidden Kingdom", "The Good Wife", "The Town"
  • Damage

    Ramin Djawadi

    “Heavyocity has raised the bar with DAMAGE; the sounds, controls, and the programming of DAMAGE are truly inspirational.”

    "Clash of the Titans", "Fright Night", "Game of Thrones", "Iron Man", "Prison Break"
  • Evolve Mutations / Evolve Mutations Bundle

    Jason Graves

    “Mutations delivers dry, in-your-face sounds that ooze style and character. It’s also aptly named – the simple but powerful interface allows radical manipulation and sonic mayhem, which is a must for those of us looking to make every sound ‘our own.’ And of course, in the tradition of Evolve, it sounds like a million bucks and sits perfectly in all of my mixes.”

    "Alpha Protocol", "Dead Space: Extraction", "Section 8"
  • Evolve Mutations / Evolve Mutations Bundle

    Jack David Elliot

    “I am using Mutations for a new remix… I am totally loving it. Right up my alley.”

    Remixer for Britney Spears - NSYNC - Ashley Tisdale - Nick Lachey

About Heavyocity

Heavyocity is a collective of pro composers and sound designers (Neil Goldberg, Dave Fraser, Ari Winters and George Valavanis) with a mission to create world class virtual instruments for today’s modern composer and sound designer. The philosophy is simple: Provide cutting edge, inspiring instruments and sounds that supercharge creativity, formatting them in ways that enhance productivity.

With so many “all encompassing” virtual instruments on the market, sifting through thousands of patches disrupts the creative process. One of the main goals of Heavyocity is to provide those perfect “go-to” signature elements quickly and effectively.