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News / January 20, 2026

The Sounds of the Season Sale Is Now – Up To 75% Off Storewide

Fun Stuff / January 9, 2026

Desolate. Disturbing. Introducing Dystropia

New Releases / January 9, 2026

Introducing Ostinato Textures

New Releases / January 9, 2026

Escape The Noise, Find Your Sound and Save

Fun Stuff / January 9, 2026

Grit. Gears. Grooves – Introducing Damage Machina.

New Releases / January 9, 2026

Melody, Meet Mayham. Introducing Damage Guitars 2

New Releases / January 9, 2026

Perfect Your Mix with MicroFX Refiner

New Releases / January 9, 2026

Plugin Boutique Awards OBLIVION ‘Best Virtual Instrument’ of 2024

Awards / January 9, 2026

An Entirely New Vocal Virtual Instrument is Here

New Releases / January 9, 2026

Our Interview with Academy Award, Golden Globe, and BAFTA-nominated Composer, Patrick Doyle

Interviews / January 9, 2026

Play Seriously with All-New Plugin Line, MicroFX

New Releases / January 9, 2026

An Interview with Guitar Virtuoso, Andy Woods

Interviews / January 9, 2026

OBLIVION: Aggression Designer Unleashed

New Releases / January 9, 2026

Our Interview with TV / Film Composer Danny Lux

Interviews / January 9, 2026

Introducing ALLURE: Modern Upright

New Releases / January 9, 2026

Introducing Analog Hybrid Drums

New Releases / January 9, 2026

Introducing Heavyocity Roundtable

Heavyocity Roundtable / January 9, 2026

GRAVITY 2 Trailer Rescore Winners Announcement

Fun Stuff / January 9, 2026

Introducing Solo Textures

New Releases / January 9, 2026

Introducing VAST

New Releases / January 9, 2026

Our Interview with Trivium Guitarist & Lead Vocalist Matthew Kiichi Heafy

Interviews / January 9, 2026

Sample Library Review Names GRAVITY 2, Damage Guitars & UNCHARTED 88 ‘Best of 2023’

Awards / January 9, 2026

Plugin Boutique Awards GRAVITY 2 ‘Best Virtual Instrument’ of 2023

Awards / January 9, 2026

GRAVITY 2 Has Arrived!

New Releases / January 9, 2026

Our Interview with Emmy Award-Winning Composer Geoff Zanelli

Interviews / January 9, 2026

Introducing FOUNDATIONS | Staccato Brass

New Releases / January 9, 2026

KK-Access Reviews Damage Guitars

Reviews / January 9, 2026

Introducing Damage Guitars

New Releases / January 9, 2026

MusicRadar Reviews UNCHARTED 88

Reviews / January 9, 2026

Introducing Mosaic Neon

New Releases / January 9, 2026

FLASH SALE Alert!

Fun Stuff / January 9, 2026

Introducing UNCHARTED 88

New Releases / January 9, 2026

Same Scene, Different Score FOUNDATIONS Scoring Competition Winners Announcement

Fun Stuff / January 9, 2026

Introducing FOUNDATIONS | Emotive Choir

New Releases / January 9, 2026

Plugin Boutique Awards Vocalise 3 ‘Best Virtual Instrument’ of 2022

Awards / January 9, 2026

Introducing AVANT: Modern Keys

New Releases / January 9, 2026

Introducing FURY

New Releases / January 9, 2026

Vocalise 3 Trailer Rescore Winners Announcement

Fun Stuff / January 9, 2026

Introducing Mosaic Pads

New Releases / January 9, 2026

Introducing FOUNDATIONS | Synth Bass

New Releases / January 9, 2026

Introducing Vocalise 3

New Releases / January 9, 2026

Thorsten Meyer Reviews Damage Drum Kit

Reviews / January 9, 2026

Presenting Play It Forward v. 2022

New Releases / January 9, 2026

2-Hour Cues, Episode 9: Writing a Supervillain Theme

2 Hour Cues / January 9, 2026

Building Custom Rhythmic Pulses with Symphonic Destruction

SD Tips & Tutorials / January 9, 2026

2-Hour Cues, Episode 8: Writing a ‘The Batman’ Cue

2 Hour Cues / January 9, 2026

SD Trailer Rescore WINNERS ANNOUNCEMENT

The Brief / January 9, 2026

Creating Custom Braams with Symphonic Destruction

SD Tips & Tutorials / January 9, 2026

The Brief x SD Scoring Competition

The Brief / January 9, 2026

Composing a One-Preset Cue with Symphonic Destruction

SD Tips & Tutorials / January 9, 2026

Composer Kristopher Carter Joins The Brief

The Brief / January 9, 2026

Sound On Sound Reviews Scoring Acoustic Guitars

Reviews / January 9, 2026

Instagram Giveaway Starts Today!

News / January 9, 2026

Our Interview with TSO Keyboardist Jane Mangini

Interviews / January 9, 2026

FSM Online Reviews NOVO and VENTO

Reviews / January 9, 2026

Creating Cinematic SFX with Damage 2

D2 Tips & Tutorials / January 9, 2026

Composer Kevin Riepl Joins Episode 3 of The Brief

The Brief / January 9, 2026

Things We Love: Moog Synths on The Click Track

Podcast / January 9, 2026

Things We Love on The Click Track

Podcast / January 9, 2026

Recomposing Loops with Damage 2

D2 Tips & Tutorials / January 9, 2026

Our Interview with Composer Lolita Ritmanis

Interviews / January 9, 2026

Composer Tom Salta Joins Episode 2 of The Brief

The Brief / January 9, 2026

Our Interview with Saw Franchise Composer Charlie Clouser

Interviews / January 9, 2026

2-Hour Cues, Episode 7: Writing a ‘The Conjuring’ Cue

2 Hour Cues / January 9, 2026

Introducing The Click Track with Jason Graves & Ari Winters

Podcast / January 9, 2026

Mosaic Pluck Review: “Another welcome addition to this series.” (KK-Access)

Reviews / January 9, 2026

Episode 1 of The Brief is LIVE

The Brief / January 9, 2026

Introducing The Brief. Premiering April 16.

The Brief / January 9, 2026

Our Interview with Steve Vai Bassist Philip Bynoe

Interviews / January 9, 2026

HY Blog: Vintage King Highlights New HY Studio

News / January 9, 2026

Scoring Acoustic Guitars Quick Look: “This is a heavyweight beast of scoring, packaged all in one!” (Sample Library Review)

Reviews / January 9, 2026

Mosaic Tape Review: “A comprehensive collection of signature sounds.” (Epicomposer)

Reviews / January 9, 2026

HY Blog: API Features HY’s New Studio

News / January 9, 2026

Damage 2 Review: “An undeniable champion in the arena of hybrid cinematic percussion.” (Synth and Software)

Reviews / January 9, 2026

Mosaic Bass Review: “Heavyocity has managed to create something really interesting here.” (Sound On Sound)

Reviews / January 9, 2026

Damage 2 Review: “A fitting continuation of the bombastic classic.” (Bonedo.de)

Reviews / January 9, 2026

2-Hour Cues, Episode 6: Writing a Tenet-Style Cue

2 Hour Cues / January 9, 2026

Damage 2 Review: “Do you need this? Yes, you absolutely do.” (MusicTech)

Reviews / January 9, 2026

ASCEND Review: “Cons: None. 5 out of 5 stars!” (Bonedo)

Reviews / January 9, 2026

2 Hour Cues, Episode 5: Writing an Epic Endgame-Style Cue

2 Hour Cues / January 9, 2026

2 Hour Cues, Episode 4: Writing a Mad Max-Style Action Cue

2 Hour Cues / January 9, 2026

Our Interview with All That Remains Guitarist Jason Richardson

Interviews / January 9, 2026

Our Interview with Composer Ronit Kirchman

Interviews / January 9, 2026

Episode 2 of “Mix The Score” is LIVE

Tutorials / January 9, 2026

Our Interview with Composer Paul Haslinger

Interviews / January 9, 2026

2 Hour Cues, Episode 3: Writing a Blade Runner-Style Synth Cue

2 Hour Cues / January 9, 2026

Introducing Mix The Score, with Satoshi Noguchi

Tutorials / January 9, 2026

Our Interview with Oscar-Winning Composer Dario Marianelli

Interviews / January 9, 2026

Our Interview with “Tag” Composer Germaine Franco

Interviews / January 9, 2026

2 Hour Cues, Episode 2: Writing a Superhero Theme

2 Hour Cues / January 9, 2026

HY Blog: Who is Amy Beach?

News / January 9, 2026

HY Blog: Next Stop, Nashville?

News / January 9, 2026

Our Interview with Vocalist/Composer Tori Letzler

Interviews / January 9, 2026

HY Blog: Female Film Composers Closing the Gender Gap

News / January 9, 2026

HY Blog: Making a Robot Orchestra Come Alive
HY Blog: Making a Robot Orchestra Come Alive

News / January 9, 2026

Introducing 2 Hour Cues. Composing on a Deadline.

2 Hour Cues / January 9, 2026

HY Blog: Music Modernization Act

News / January 9, 2026

Our Interview with “Wonder Woman” Composer Rupert Gregson-Williams

Interviews / January 9, 2026

Our Interview with “The Knick” Composer Cliff Martinez

Interviews / January 9, 2026

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